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| fairhopechurch.com/messages/ If you look at the videos, We have had a terrible problem with focus. We have tried EVERYTHING! I'm using an XL1 and needing some advice on how to get the quailty a little bit better. Also, does anybody know how to remove the text off of the screen (battery, record, etc) so I can run the s-video out as a separate feed? Thanks! ![]() |
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| how long have you had this camera? Because I have a similar issue with an XL1 and I have tried everything... Truth be told the problem is in two places for us...lens and the camera unit... how do I know this you ask? I took the lens of the XL1 and put it on my XL2...it was blurry... But the XL2 lens on the XL1 body...and it was blurry... in both instances it was a different blurry than when it was all xl1 components...but blurry nonetheless. Need to possible send it to Canon after you exhaust all efforts.
__________________ Ryan A. Rose Media Pastor |
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| Are we talking XL1s, or Xl1's here. I havent had much experience with the XL1, but I have with the Xl1s, and it has no such focus problems. The only complaint I have with the XL series lens is they don't provide enough focus range to do close-ups when zoomed out. Have found that problematic when using it for an onstage camera at concerts etc... |
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| I've seen that in relatively low light situations when one of our members would bring his xl1 in for some of our special events. More specifically, it would happen on low light scenes with motion, as it seemed to hunt a bit trying to keep up with the action. If that's what is happening to you, the best solution is actually more light-which seems to solve a lot of quality issues with church video in the first place, lol! |
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| Unfortunately, the XL1 has no way to turn off TV screen from the camera, the only way to do it is by pressing "TV screen" on the remote. With the focus, the lens that the XL1 comes with is a bit soft (especially on the edges) and the XL1's CCD isn't full resolution and upscales the image. It still looks pretty good though if you can keep it at critical focus.
__________________ Alex H |
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| Take the camera outside on a sunny day to see if your focus issues improve. One thing to keep in mind is that if the iris is opened to compensate for low light, you will have a difficult time keeping the camera focused. The principle is similar to looking through a pinhole. If you are near sighted, looking through a pinhole brings everything into focus without the use of glasses. A tighter iris increases the ability to remain in focus.
__________________ - AVOID VIDEO THEFT! Convert over to Betamax! |
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| Dittos on what Ted sed. I can't see the video, but if it's anything like most churches, bets are that you're shooting in low light from far off, meaning you're "wide open" at max telephoto - and thus have the narrowest depth-of-focus possible. Any movement forward or back from your point of focus means fuzz city, and a maddening eternal hunt to correct it as the service proceeds. Solutions, then, concentrate upon closing the f-stop (by increasing light or in-camera gain) and/or using a wider lens/zoom (by getting closer to the subject). Incidentally, once you learn how this principle works, you can use it to your advantage in more controlled shoots like interviews, testimonials, etc., to give that nice "blurred background" separation effect. |
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| There's no back-focus or flange-focus adjustment on the XL1. Because of the design of the the original lens, you can't follow the usual ritual of zoom in - focus - zoom out - frame up. Once you zoom back out the focus will shift and you have to retouch it once you have your framing composed. |
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| Quote:
![]() (oh wait) I don't understand why people keep trying to use a home-movie camcorder in place of a real television camera. |