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| Yea, I'd suggest using the original deck to capture too. But depending on how bad the pops, etc are, you may be able to clean them up in editing software. If you do extract the audio from the DVD, you'll need to make sure you convert the audio sample rate to the same as the video project otherwise it won't lineup. Ben |
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| Yep, if the head alignment on the deck or the GL2 has shifted at all, the first place it will show up is in audio drop-outs. Capturing from the original tape in the deck on which it was recorded sounds an ideal approach. Not sure what you mean by moviemaker can't capture widescreen. DV's anamorphic widescreen is identical in resolution to its 4x3. The only thing that might get dropped is if a capture utility doesn't identify the widescreen flag bit, then you just have to set the aspect ratio to widescreen manually in your editor - you won't lose any quality or resolution doing that. There is always the possibility though that the pops are from levels getting too hot for the deck's gain settings in which case pulling the DVDs track (assuming it has an automatic gain control and its audio was OK) might be the best shot. |
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| I did try to clean them up in audacity and adobe soundbooth. Neither did a great job since the anomalies variated and were not consistent on the stereo track. I honestly haven't worked with moviemaker in some time. I just thought I had problems with that before. And, I'd rather capture the dv footage in either .dv or .mov.
__________________ Derek Van Winkle FBC Biloxi, MS |
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Ben |