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Originally Posted by Brad Weber If you tried to make all the stage inputs, microphones and returns to the speaker system, etc. wireless, how many total wireless channels would be involved? How practical is that? That is why such applications are where digital snakes and/or networked audio often make sense. If you can put boxes at the stage or at the current mixer location and convert all the audio to a new mix position to run on one or two coax, CAT or fiber cables then that greatly reduces and simplifies the cabling involved and may also benefit in terms of ground loops, noise and other potential issues.
As far as modifying existing RF equipment, my understanding seems to be the same as Wayne's in that I sort of doubt that changing the mic element would be an issue but any modifications that could affect the radiated power or represent a different use probably negate all FCC and similar approvals or certifications. |
I think the balcony project is going by the wayside, since I wrote that, the building folks got back to me, there are structural issues and the balcony does not meet safety code, so nobody is allowed up there. To bring it up to code, involves adding another construction project to the already growing queue (the joys of worshiping in a church that was built in 1900).
If I did relocate I would consider a digital snake, only in that with the amount of copper involved an analog one is likely almost as expensive especially if it needs to be plenum rated, and hauling that big a cable around is a pain in the mule. However, if your looking at say 5 microphones, wireless is still going to be cheaper then a new snake and it's fewer wires to trip over.....