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| With 1250's you should have the front of the mic just over the top and just in front of the first row of the choir. Like 8" in front of and 2' above. With some studio booms you can swing some mics over the back of the choir and position them in much the same way as the front section. Honestly unless your choir is singing with a full band you won't need that many mics but to each their own. If you just want to use the front mics all you need to do is raise the frint mics about another 18". crt
__________________ Chad Taylor |
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| Well I experimented with placing a 3 hyper-cardioids in between the three 1250s sitting on the first row with chairs and it seemed to work well. But with such a tight pickup pattern and how close they are, I'm sure it's not working too well. I honestly couldn't tell if my GBF was down or not...probably just a hair down. But I did phase invert every other mic as well as try to eq all of them for feedback. Maybe just having a 75 person choir tonight really helped but it sounded way better tonight than on most Sundays. The choir was actually able to be intelligible enough with a full orchestra at moderately high levels. I'm going to experiment with another set up next week and see how it works.
__________________ Derek Van Winkle FBC Biloxi, MS |
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| flipping the phase is going to create all sorts of weird phase issues not that you weren't going to have weird phase issues with mics that close to one another anyway. Remember that the phase switch is only when you need to 180 a mic in relation to another mic. Usually 70 voices will increase the volume level well over a 30 voice choir. crt
__________________ Chad Taylor |