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| General Video Production Editing systems and software, cameras, mixers and more! |
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| Got the Sony HDR-HC3, only had it for a week. So far I'm very impressed with the quality of the tape. We won't be taping the service just wanted something to get us in the game. Do some interviews, take some local scenery shots, add some music, etc. We're just a small congregation in NE Minnesota. Very rural. Not exactly a cutting edge type of place. It takes a while for the dog sleds to get things up here. |
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| The plan still is the same. Brainstorm about what you want to do. Write it out and break that down to doable parts. I started off with one tape deck in a closet. How have about $5,000.00 worth of "good" video equipment. I would get a laptop next so you can stream the camera to it, someone here had one they didn't need any more. Don (smtv) |
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| camera advice please! I'm picking up this thread late. We do simple (single camera) recording of our services direct to DVD recorder. Our old camcorder finally died, and I'm shopping for a new camera. I have some camcorder experience, as a video producer/editor, but this application is different. I don't need (or want) the "corder" function, just a camera, since we send the signal direct to the DVD recorder. Camcorders require you to be recording to tape or else the camera goes to sleep! Does anyone out there have advice regarding cameras? Are the cameras labeled "surveilance" adequate for this function? Thanks in advance... |
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I'd still give the canon hv 20 a look-at that price point, there isn't much that compares dollar for dollar. at roughly half the cost, you can get a panasonic gs 320, but it's not a good in low light, and has lost many of the features that I love in my older 150-no remote, no external mic, no heaphones, etc. Generally, most industrial quality cams require the use of a controller in order for them to function. It will control the white balance, iris, etc...for a single cam situation, this can be a bit pricey. Personally, most of the industrial cams I've seen aren't as good a fit for what we do as the upper end consumer/prosumer cams are. |
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| Sony Remote Controller Quote:
We have the Sony Remote Controller and the Sony BRC-300 camera, along with two Sony VX-2100s manned cameras. The controller is very smooth with pans, zooms, tilts, etc. Unfortunately, the BRC-300 camera doesn't have the low light capability of the VX-2100s. We're constantly fighting with the white balance to match the 2100s. Also, in low light drama conditions, we can only use the 2100s. If I were doing it over, I'd seriously consider 3 VX2100 cameras and a Grizzley Pro remote control system for all three (http://www.grizzlypro.com/). |
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| Sony VX-2100 Quote:
Jay, We're using Sony VX 2100s to video our service. These are standard definition cameras feeding a relatively inexpensive Edirol video mixer with S-Video signals, then out to an Magnavox DVD recorder (also S-video). If you're not committed to doing High Definition (how would you deliver it, anyway?) these cameras have better low light capability than most SD or HD cameras (important in churches, especially for dramas) and a much more reasonable cost than HD. Last time I checked B&H, they were about $2,300 each. They're also excellent cameras for taking out and doing production work. We use the S-video out of the camera to the video mixer and the composite out to a TV monitor in the sound booth. |
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