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| General Audio All things about sound are discussed here. |
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| The Following User Says Thank You to Arlin For This Useful Post: | ||
Ebroach (Thursday, March 29th, 2012) | ||
| The Following User Says Thank You to bpalermini For This Useful Post: | ||
Ebroach (Thursday, March 29th, 2012) | ||
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Curt's article addresses several of the related technical aspects but it does not address the aspect of how this can affect the people. I always find it rather ironic to work with churches that are very focused on the worship experience but then want to isolate their volunteers from sharing in that experience. In many cases, both the people and the production can benefit from their being part of the congregation rather than being physically segregated from it. In my experience resistance to having a mix position in the listener area is usually related to either ignorance of the related issues, which you can hopefully address through education, to the audio quality not being a priority, which seems to perhaps suggest a larger issue, or to having conflicting interests (e.g. the Architect or Interior Designer that doesn't like the way it looks), in which case they may not be open to any discussion. If people are willing to listen then the value of the person mixing hearing what the listeners hear is usually not that difficult to convey. If they're not willing to listen then all the articles and white papers in the world may not help. |
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| Speaking from experience, the upstairs booth is not the way to go if you can prevent it. Our soundroom was implemented in the early 80's in the attic area above the Sunday School rooms at the rear of the sanctuary. I have two 3x2 windows that allow me to see and "hear" (?) the audio. It is like a reverse funnel, trying to scoop the house audio through the windows to get a sense of what is going on. To truly judge what the audience hears, I have to stick my head out the window and lean over the edge a little bit. One other issue, is that being nearly eye level with the speakers, I get a larger dose of the SPL coming straight at me, so when I do "hear" the outside sound it's still not what the audience hears. Unfortunately the designers did not take this into account when the church was built in the 60's |
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Despite years of trying to educate people I still routinely encounter many even in the design and construction industry who view acoustics, audio, video and lighting as things you add to a completed space rather than their being integral elements of the space and its function as is increasingly the case. |
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Excellent points! Production always has and I suppose always will be a compromise. Where your audio guy really wants to put his speakers verses where he can, where your video director really wants to put cameras verses where he can, and where your lighting guy really wants his lights verses where he can are all issues that we as professional tech arts people compromise on each and every day. There are other items however which we cannot compromise on and still fulfill the mandate that our supervisor has given us. It is then that we must respectfully speak up and explain how the decision will impede our execution of the instructions previously given. It is simply a matter of communicating back two bits of information which appear contradictory. It is for this reason that we must have a thorough understanding (beforehand) of the task and priorities at hand as given by our supervisor and not to project our own priorities on to the matter. In my mind and assuming a contemporary worship style, where the mix position is located is one of those items which should not be compromised on beyond your ability to still fulfill the mandate. You must (generally) be located where you need to be to adequately hear if you stand a fighting chance of fulfilling your responsibilities. Having an audio mix position be dictated by the architect or designer is as ridiculous as having the tech team dictate the scene portrayed in the new stain glass window or the color of the new carpeting. If the tech team does not have the clout to convince leadership I suggest that “an expert” be consulted. If leadership will not listen to the expert I suggest it might be time to evaluate one’s position in that ministry.
__________________ Tom D'Angelo New York City by day & Monmouth County, NJ by night |
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| It's a great idea if you want to get in shape walking up and down the stairs, have walkie talkies laying around you want to use between someone in the auditorium and the board op, or you have budgeted for a new digital console that will let you mix remote from an iPad. Those are the solutions/complaints I get from any church I talk to that had an upstairs sound booth. Most where telling me how thankful they are they got the budget to move it downstairs. Also remember some people have a rough time with stairs and this can limit your volunteer base. |
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__________________ Joel Osborn Milton SDB Church "...if we are to glorify God fully, we must engage our mind in knowing him truly and our hearts in loving him duly." - John Piper, Think |
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| Fine. They want to put it up there? Let 'em'. There are many ways to mix on an iPad down in the audience wirelessly. This is all moot anymore, IMNSHO. |