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| New church Been having issues with current church we have been attending. Discussion on this later. Have been searching for a new home. Been to one that is very welcoming and have invited me to help with audio, video, etc. I am curious as to how to handle this. The current person doing the audio, in my opinion, doesn't do a very good job at mixing. The vocals are muddy and some instruments aren't even in the mix. I would love the chance to go in and make the mix a bit better. I don't want to step on anyone's toes. How do I take on a job of running sound and make some changes on the board without causing an issue of a new guy coming in and changing their board? |
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__________________ Tom D'Angelo New York City |
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Unless they have actually expressed an interest for you to "take on a job of running sound and make some changes on the board" then you might want to first get to know the people involved, the church and their goals and priorities, and any relevant history or issues. Basically getting a feel for the situation before deciding what is the best way to proceed. Who knows, you may find that they have been praying for someone just like you to come along. Or you may find that people who tried to do something similar in the past ended up so disillusioned and/or frustrated that they left. Or somewhere in between those extremes. In any case, it might help to have a more complete perspective of the situation before making any decisions. |
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| I was a pro touring engineer, TD for some mega churches, blah, blah, blah....when I settled down at my church, they knew who I was and what I did. I met with the staff and asked them to give me some time, and let me feel at home. I wanted to be able to fill in, but not work at church for once. The guy they had is a great guy, knows his stuff and he has a good ministry there. So, I have been enjoying church and engaging, instead of working all of the time, and slowly have been doing more and more. Fortunately there is a rotation and brilliant planning. There should not be one person doing the same thing all of the time. That said, I mix completely different. I store my settings on the console and jump drive. Digital is good for that. So, for me it is no big deal. The mixer is supposed to conform to the music director's needs and musician's abilities, and that is what I do. How you do what you do is all up to you and your abilities. As long as the job gets done in the end, nobody should have an issue. I know all to well that people get certain articles of clothing in a wad when things break with familiarity or tradition. I do that all the time on my day job, bend people's thought process into reality, by proving my point with results. THAT is what we should do silently. That is the key to a good engineer. Do what you do, however you need to do it, not letting them know you are doing it, while keeping the mouth zipped. All of the greats practice this. Nobody will question what you do, as long as you blow them away with the results. The powers that be will take care of the politics for you...well, they should anyway. |