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		<title>The Church Media Community - Live Audio</title>
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			<title>The Church Media Community - Live Audio</title>
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			<title>Old mics bad, need new mics and help</title>
			<link>http://www.churchmedia.net/forums/live-audio/45515-old-mics-bad-need-new.html</link>
			<pubDate>Tue, 07 Sep 2010 16:16:08 GMT</pubDate>
			<description>My church choir mics are going to heck and we would like to purchase 3 new mics. we dont have alot of money, I would prefer the mics not cost over $100 a each. Here are the setup specs. 3 people need to be on each mic, the mics will be appx 6 feet apart from each other and about 10 feet from the...</description>
			<content:encoded><![CDATA[<div>My church choir mics are going to heck and we would like to purchase 3 new mics. we dont have alot of money, I would prefer the mics not cost over $100 a each. Here are the setup specs. 3 people need to be on each mic, the mics will be appx 6 feet apart from each other and about 10 feet from the stage monitors. If someone can give me some names of mics that fit this i would appreciate...thanks :)<br />
 <br />
in case this info is needed our sanctuary is appx 70' x 30' with appx 40' ceiling.  Through trial and error we have minimized the great echo but these old mics have got to go.</div>

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			<category domain="http://www.churchmedia.net/forums/live-audio/">Live Audio</category>
			<dc:creator>dblkman</dc:creator>
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			<title>Q Control in Live Sound</title>
			<link>http://www.churchmedia.net/forums/live-audio/45483-q-control-in-live-sound.html</link>
			<pubDate>Tue, 31 Aug 2010 01:36:08 GMT</pubDate>
			<description>For those of you that have Q control when using EQ, what Q settings do you use when mixing live? Do you use a narrow Q or a wide Q? I understand using a more narrow Q for studio applications, but how wide would you go when mixing live? Is this more of a preference or is there a basic Q width that...</description>
			<content:encoded><![CDATA[<div>For those of you that have Q control when using EQ, what Q settings do you use when mixing live? Do you use a narrow Q or a wide Q? I understand using a more narrow Q for studio applications, but how wide would you go when mixing live? Is this more of a preference or is there a basic Q width that is generally used?</div>

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			<category domain="http://www.churchmedia.net/forums/live-audio/">Live Audio</category>
			<dc:creator>matthewah</dc:creator>
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			<title>Drums sound terrible - Need advice</title>
			<link>http://www.churchmedia.net/forums/live-audio/45434-drums-sound-terrible-need-advice.html</link>
			<pubDate>Mon, 23 Aug 2010 04:12:58 GMT</pubDate>
			<description><![CDATA[We have a very nice Genesis custom acoustic kit in a ClearSonic iso-booth with sound absorbing panels in front and on wall behind.  The kit is mic'd with an Audix set - Kick, 2 toms.  SM57 on snare and a shotgun condenser overhead.  The drums sound bad in the mix.  There is no definition to the...]]></description>
			<content:encoded><![CDATA[<div>We have a very nice Genesis custom acoustic kit in a ClearSonic iso-booth with sound absorbing panels in front and on wall behind.  The kit is mic'd with an Audix set - Kick, 2 toms.  SM57 on snare and a shotgun condenser overhead.  The drums sound bad in the mix.  There is no definition to the kick and snare and the cymbals lack brightness.  We're all just volunteers at a small church and none of us have deep knowledge of sound systems.<br />
<br />
I know the first issue is the shotgun.  We are looking for a pair of replacement condensers, but are unsure what to get.  I like what I've read about the Oktava MK-012's and that is the high end of what we can spend on these - about $450 for the pair.  Any advice on better for the money?<br />
<br />
Secondly, we seem to be getting a lot of reverberation through the stage itself from the kit.  The stage is hollow and covered with carpet, but you can really feel and hear the drums coming through it.  I need advice on isolating the drums from the stage effectively.<br />
<br />
Also, should we be looking at compressor/gate for the drums?<br />
<br />
Thanks for any help you can offer.<br />
<br />
Tribefan668</div>

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			<category domain="http://www.churchmedia.net/forums/live-audio/">Live Audio</category>
			<dc:creator>tribefan668</dc:creator>
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			<title>Funeral parlor</title>
			<link>http://www.churchmedia.net/forums/live-audio/45358-funeral-parlor.html</link>
			<pubDate>Wed, 11 Aug 2010 03:05:53 GMT</pubDate>
			<description><![CDATA[Let me just take a moment to say "Thank You" to all those who have helped me so far. I've learned more about audio in the last, oh, 6 months than I would have thought possible. And most of that is due to this forum. Thanks!



Ok,
So, I was at a funeral the other day and was (the curse of the audio...]]></description>
			<content:encoded><![CDATA[<div>Let me just take a moment to say &quot;Thank You&quot; to all those who have helped me so far. I've learned more about audio in the last, oh, 6 months than I would have thought possible. And most of that is due to this forum. Thanks!<br />
<br />
<br />
<br />
Ok,<br />
So, I was at a funeral the other day and was (the curse of the audio tech) analyzing their sound system. They used ceiling speakers and a wireless handheld mounted in a gooseneck on a lectern. the audio quality was really quite good, and the volume was great, while the mic was 24 inches from the speakers mouth.<br />
<br />
I have a room at my church which in similar to that funeral parlor. low ceilings (~10-11 feet), speaker using a lectern, etc.<br />
<br />
So, my question then becomes, &quot;what would you do to setup a small-medium room for live voice only amplification?&quot;.<br />
<br />
the teacher in this room doesn't move about much, but does hand out papers from time to time, so he would pass under the ceiling speakers eventually.<br />
<br />
thanks again :)</div>

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			<category domain="http://www.churchmedia.net/forums/live-audio/">Live Audio</category>
			<dc:creator>buggyboy</dc:creator>
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