| Need Drama Intercom Design CMN: I'm in need of your past experience before I rent an intercom system for our Christmas Musicial...
Background: The Joy Story, set in a toy store, being crushed by the big FAO Smaltz Store, who is only after money, the owner of the Joy Store is, Mrs. Joy, and the toys come to life and tell the story of Christmas, including Arks, Abraham & Isaac, etc...pretty elaborate set, including lighting, spots, and video. We're also recording it for local cable play later in the month.
Lots of music, dancing, singing, we're renting 7 Countryman e6's vs. the lavs we have to get a higher gain before feedback.
Here's my intercom needs:
Lights: 3 (board, spot1, spot2)
Video: 3 (board [ ME ] , cam1, cam2)
Dir: 3 (director, stagemgr1, stagemgr2)
Audio: 1 (board/computer)
= 10
We have a small 1channel clear-com system which could grow to 10, I believe. However, I don't think we should all be on the same channel. I like each group to be on their own channel, but I want to be [ME] on the video board to be able to talk to the board/director of the other 2 (lights, dir).
When we did this play a few years ago, we were on one channel, and kept chatter down. Now, we're doing IMAG, recording, 2 spots vs. 1, more lights, in a very drama-bad venue, where we need two stage mgrs, due to the lack of a backstage.
Any suggestions? Money isn't really an obsticle, since we're renting.
My biggest concern is the ease of changing channels, should we go wireless (rent) and abandon our wired intercom we have now.
The performance is on a Sat Night, and Sun Afternoon.
Ideas? Lesson's learned? Any, "We'll-never-do-that-agains?"
Thanks |